Come citare
Calabrò, I. (2023). Il cinema come macchina da guerra. Loin du Vietnam (1967). Mechane, (5), 95-103. Recuperato da https://www.mimesisjournals.com/ojs/index.php/mechane/article/view/3268
Abstract
The paper aims to analyse Loin du Vietnam (1967) as a “war machine”, investigating Godard’s Caméra-œil episode and the montage of the collective film, which combines fictional and documentary frames, to combat against the television war, images not allowing to think about Vietnam war.