Aesthetica Preprint

Current Issue

No 119 (2022)
Published November 2, 2022
Emilio Garroni: un nuovo sguardo-attraverso


January-April 2022


Edited by Andrea D’Ammando and Tommaso Morawski


Andrea D’Ammando, Tommaso Morawski
pdf (Italiano)
Francesco Restuccia
The function of the imaginary. Garroni, Mannoni and the voluntary illusion
pdf (Italiano)
Antonio Valentini
Which Notion of "Myth" in Emilio Garroni's Thought? Hypotesis and perspectives
pdf (Italiano)
Andrea D'Ammando
Myth, Sense, Work: Garroni and the crisis of contemporary arts
pdf (Italiano)
Giulia Giambrone
Conceptual and Pictorial Looking Through in Emilio Garroni’s Aesthetics
Simona Donato
"What Does One Feel Being the Apple". Body and Gestural Knowledge Seen Through Contemporary Dance
pdf (Italiano)
Maurizio Ricci
Garroni and Architecture
pdf (Italiano)
Dario Cecchi
Technical Creativity and Free Schematism
pdf (Italiano)
Lorenzo Manera
The notions of creativity and meta-operativity in Emilio Garroni. Recent interpretations in the Italian aesthetic debate on technology
Giovanni Matteucci
The Critical Sense of "experience in general"
pdf (Italiano)
Maria Pignataro
Creativity, an ideal path from Emilio Garroni to Jean Piaget
pdf (Italiano)
Martino Feyles
Exemplarity and Judgement: Notes on Kantian Aesthetics
pdf (Italiano)
Luca Forgione
Emilio Garroni and the aesthetic Conceptualism in Kant’s Third Critique
Marina De Palo
Sense Horizons between Garroni and De Mauro
pdf (Italiano)
Stefano Catucci
On Transcendental Instance: Between History and Absence of History
pdf (Italiano)
Tommaso Morawski
Aesthetics and Spatiality. Garroni, Kant and Cassirer
pdf (Italiano)
Andrea D’Ammando
Comprehensive Bibliography of Emilio Garroni's Writings
pdf (Italiano)
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Aesthetica Preprint is the four-month open access journal of the Società Italiana di Estetica (SIE). The journal aims at giving an account of the aesthetic research in Italy, but it offers also relevant contributions from foreign scholars. It presents miscellaneous numbers composed of essays by various authors, single researches of a wider scope, working documents, editions of small classics, and exceptionally proceedings of conferences and seminars. The essays, all subjected to peer review, are written in Italian or English and accompanied by abstracts in English. Founded in 1983 by Luigi Russo as an instrument of the International Center of Aesthetics Studies, it has been published by Mimesis since 2017.


Editor in Chief / Direttore scientifico

Paolo D’Angelo (Università degli Studi Roma Tre)


Editing Coordination / Coordinamento redazione

Leonardo Distaso (Università degli Studi di Napoli Federico II)


Editorial board / Segreteria di redazione

Giacomo Fronzi (Università del Salento)

Lisa Giombini (Università degli Studi Roma Tre)

Leonardo Monetti Lenner (Università degli Studi Roma Tre)

Gioia Laura Iannilli (Alma Mater Studiorum Università di Bologna)


Scientific board / Comitato scientifico

Hans-Dieter Bahr (Eberhard Karls Universität Tübingen)

Simona Chiodo (Politecnico di Milano)

Pina De Luca (Università degli Studi di Salerno)

Elio Franzini (Università degli Studi di Milano)

Tonino Griffero (Università degli Studi di Roma Tor Vergata)

Stephen Halliwell (University of St Andrews)

José Jiménez (Universidad Aut.noma de Madrid)

Jerrold Levinson (University of Maryland, College Park)

Winfried Menninghaus (Max-Planck-Institut für empirische Ästhetik)

Giovanni Matteucci (Alma Mater Studiorum Università di Bologna)

Dario Russo (Università degli Studi di Palermo)

Baldine Saint-Girons (Università Paris-Nanterre)

Richard Shusterman (Florida Atlantic University)

Victor Stoichita (Universität Freiburg)

Salvatore Tedesco (Università degli Studi di Palermo)